Search here

Tuesday, December 29, 2009

Bijapur, Karnataka

Bijapur - ವಿಜಾಪುರ
Bijapur - ವಿಜಾಪುರ
Location of Bijapur - ವಿಜಾಪುರ
in Karnataka and India
Coordinates 16°49′N 75°43′E / 16.82°N 75.72°E / 16.82; 75.72
Country India
State Karnataka
District(s) Bijapur District
District Collector
Population
Density
1,808,863 (2001)
172 /km2 (445 /sq mi)
Time zone IST (UTC+5:30)
Area
Elevation
10,541 km2 (4,070 sq mi)
770 m (2,526 ft)

Bijapur (Kannada: ವಿಜಾಪುರ Vijapur) city is the district headquarters of Bijapur District of Karnataka state. Bijapur city is well known for its historical monuments of architectural importance built during the rule of Adil Shahi dynasty. Bijapur is located 530 km northwest of Bangalore and about 550 km from Mumbai (Maharashtra).

The city was established in the 10th-11th centuries by the Kalyani Chalukyas and was known as Vijayapura (City of victory). The city came under the influence of the Khilji Sultanate in Delhi by the late 13th century. In 1347, the area was conquered by the Bahmani Sultanate of Gulbarga. By this time, the city was being referred as Vijapur or Bijapur.



History

In 1518, the Bahmani Sultanate split into five splinter states known as the Deccan sultanates, one of which was Bijapur, ruled by the kings of the Adil Shahi dynasty (1490-1686). The city of Bijapur owes much of its greatness to Yusuf Adil Shah, the founder of the independent state of Bijapur. The rule of this dynasty ended in 1686, when Bijapur was conquered during the reign of Mughal emperor Aurangzeb. In 1724 the Nizam of Hyderabad established his independence in the Deccan, and included Bijapur within his dominions. In 1760, the Nizam suffered a defeat by the Marathas, and ceded the region of Bijapur to the Maratha Peshwa. After the 1818 defeat of the Peshwa by the British in the Third Anglo-Maratha War, Bijapur passed into the hands of the British East India Company, and was assigned to the princely state of Satara.

In 1848 the territory of Satara, along with Bijapur, was annexed to Britain's Bombay Presidency when the last ruler died without a male heir. The British carved a new district by the name Kaladagi. The district included present-day Bijapur and Bagalkot districts. Bijapur was made the administrative headquarters of the district in 1885, when the headquarters were moved from Bagalkot. After India's Independence in 1947, the district became part of Bombay state, and was reassigned to Mysore State, later Karnataka, in 1956. The former southern taluks of the district were separated in 1997 to form Bagalkot District.

Description

The city consists of three distinct portions: the citadel, the fort and the remains of the city. The citadel, built by Yusuf Adil Shah, a mile in circuit, is of great strength, well built of the most massive materials, and encompassed by a ditch 100 yards (91 m) wide, formerly supplied with water, but now nearly filled up with rubbish, so that its original depth cannot be discovered. Within the citadel are the remains of Hindu temples, which prove that Bijapur was an important town in pre-Islam times. The fort, which was completed by Au Adil Shah in 1566, is surrounded by a wall 6 m. in circumference. This wall is from 30 to 50 ft (15 m) high, and is strengthened with ninety-six massive bastions of various designs. In addition there are ten others at the various gateways. The width is about 25 ft (7.6 m); from bastion to bastion runs a battlemented curtained wall about 10 ft (3.0 m) high. The whole is surrounded by a deep moat 30 to 40 ft (12 m) broad. Inside these walls the Bijapur kings bade defiance to all comers. Outside the walls are the remains of a vast city, now for the most part in ruins, but the innumerable tombs, mosques, caravanserais and other edifices, which have resisted the havoc of time, afford abundant evidence of the ancient splendour of the place. Badami, Aihole, and Pattadakal, near Bijapur, are noted for their historical temples in the Chalukya architectural style.

Attractions

Gol Gumbaz Cira 1860

Bijapur is rich in historical attractions, mainly related to Islamic architecture, especially those of the Bijapur Fort.

  • Gol Gumbaz: This is the most famous monument in Bijapur. It is the tomb of Mohammed Adil Shah (ruled 1627-1657). It is the second largest dome ever built, next in size only to St Peter's Basilica in Rome. A particular attraction in this monument is the central chamber, where every sound is echoed seven times. Another attraction at the Gol Gumbaz is the Whispering Gallery, where even minute sounds can be heard clearly 37 metres away. Gol Gumbaz complex includes a mosque, a Naqqar Khana (a hall for the trumpeters) (Now it is used as museum) and the ruins of guest houses. We can see the rough model of golgumbaz in a village called Mahal. It is just 8km from the golgumbaz.
  • Ibrahim Rauza: This is the tomb of Ibrahim Adil Shah II (ruled 1580-1627), the fifth king of the dynasty and, like the Mughal emperor Akbar, known for religious tolerance. Built on a single rock bed, it is noted for the symmetry of its features. It is said that the design for the Ibrahim Rauza served as an inspiration for that of the famous Taj Mahal.
A file photo of Bara Kaman Circa 1870
  • Malik-e-Maidan (The Monarch of the Plains) the largest medieval cannon in the world. Being 4 m long, 1,5 m in diameter and weighing 55 tons, this gun was brought back from Ahmadnagar in the 17th century as a trophy of war by 400 oxen, 10 elephants and tens of men. It was placed on the Sherza Burj (Lion Gate) on a platform especially built for it. The cannon's nozzle is fashioned into the shape of a lion's head with open jaws & between the carved fangs is depicted an elephant being crushed to death. It is said that after igniting the cannon, the gunner would remain underwater in a tank of water on the platform to avoid the deafening explosion. The cannon remains cool even in strong sunlight and if tapped, tinkles like a bell. In 1854 the cannon was auctioned for Rs. 150 but the sale was cancelled in the end.
The Gun: Malik-E-Maidan, which means the master of the war front
  • Upri Buruj, Built around 1584 by Hyder Khan, is an 80 ft (24 m) high tower standing to the north of Dakhani Idgah in Bijapur. This is a spherical structure with stone steps winding round the outside. Top of the tower offers a commanding view of the city. This is also known as Hyder Burj, Upli Burj. On top of Upli Burj there are two guns of huge size. The parafeet this tower which was used for monitoring purposes has been fenced now. One needs to climb the circular stairs to reach the top. However except for this tower there is very little evidence of the citadel wall in this area due to rampant construction.
  • Chand Bawdi, Ali Adil Shah (1557-1580) built this tank near eastern boundary of Bijapur. When there was large influx of people into Bijapur after the fall of the Vijayanagar empire, and new settlements came up within the walled city raising the need for better infrastructure and providing water supply. This has a storage capacity of 20 million litres. Later it became a model for many other tanks constructed in the city. A grandeur complex came up around it, which was mainly used to house the maintenance staff though members of the royal family occasionally used it for recreation. He named this after his wife "Chand Bibi".
  • Asar Mahal, The Asar Mahal was built by Mohammed Adil Shah in about 1646, which was used to serve as a Hall of Justice. The building was also used to house hairs from the Prophet's beard. The rooms on the upper storey are decorated with frescoes and the front is graced with a square tank. Here women are not allowed inside. Every year there is urs (festival) held at this place. In front of the hall, one can see three tanks the bigger tank, which is at the centre is about 15 feet (4.6 m) deep however the other two are comparatively smaller in size as well as depth. Behind Asar Mahal one can still see the remain of the citadel. Just a kilometer away behind Asar Mahal, one can still find the old mosque which is on top of the citadel wall. There is a big entrance with arc below this mosque. Many stones have inscriptions. The site is under maintenance of Archeological Survey of India.
  • Gagan Mahal, Which means Sky Palace, is built with a 21- meter façade and four wooden massive pillars, has a majestic central arch. Sikandar Adil Shah, in silver chains, surrendered to Aurangzeb in 1681 here.
  • Barakaman (Ali Roza-II) A mausoleum of Ali Roza built in 1672. It was previously named as Ali Roza, but Shah Nawab Khan changed its name to Bara Kaman as this was the 12th monument during his reign. It has now seven arches and the tomb containing the graves of Ali, his queens and eleven other ladies possibly belonging to the Zenana of the queens.
  • Among the other historical attractions at Bijapur, some notable ones are the Anand Mahal, Jod Gumbaz, Jumma Mosque, Sat Manzil, and Jal Manzil. Also among old houses at Bijapur, the most famous is Elavia House ( Nauzer Elavia) which is more than 100 years old.
  • Saat Kabar, meaning sixty graves, is a site which can aptly be called as the 'dark tourist spot'. Saat Kabar may not have any intricate or wonderful architectural characteristics like the Gol Gumbaz or Ibrahim Roza to offer to its visitors, but the heart-rending story it narrates makes it a spot worth visiting. This heritage site tells the story of a passionate army chief who killed his 63 wives fearing they would remarry after his death. Afzal Khan, the army chief of Ali Adil Shahi-II of the Adil Shahi Dynasty that ruled Bijapur for four centuries, cold bloodedly murdered all his wives, one by one, before setting out on a battle with Chatrapati Shivaji, the great Maratha warrior, at Pratapgad in Maharashtra in 1659. Sick of continuous attacks by Aurangzeb on one side and Shivaji on the other side, Ali Adil Shahi-II ordered Afzal Khan to contain these two enemies to protect the empire. Although known for his bravery, Khan was a firm believer in astrology. He always consulted soothsayers before setting out on a war. When an astrologer predicted about his defeat and sure death in the battle against Shivaji, he decided to kill all his wives so that they would not remarry after his death. Hence he led all his wives to a huge well in a lonely place on the outskirts of the city and pushed them into it one after another. Later, he buried their bodies near the well. Seeing this horrifying act, two of his wives tried to escape, but in vain. They were chased and killed by soldiers, reveal historical records.

Kambadahalli


Kambadahalli
Panchakuta Basadi, Kambadahalli
Kambadahalli
Location of Kambadahalli
in Karnataka and India
Coordinates 12°51′47″N 76°40′16″E / 12.863°N 76.671°E / 12.863; 76.671
Country India
State Karnataka
District(s) Mandya
Time zone IST (UTC+5:30)


Mantapa, Panchakuta Basadi, Kambadahalli Mandya District

Kambadahalli is a village in Mandya district of Karnataka state, in southwestern India. Previously known as Kambapuri, it is one of the oldest and important Jain religious centers in Karnataka. The monuments here were built by the Western Ganga Dynasty in the 9th - 10th century. The name Kambadahalli in Kannada language literally means village (halli) of the pillar (Kamba)


History

Kambadahalli is located 18 km from the famous Jain pilgrim center Shravanabelagola on the Shravanabelagola-Mandya road. The place gets the name from the Brahmadeva pillar (kamba in Kannada) that exists in the famous Panchakuta Basadi monument. According to historians, archaeological records date these temples back to 900 C.E and legend has it that there existed 72 basadis here during the time saint Ananthaveerya Muni visited. However due to lack of accurate inscriptional evidence, historians broadly date these monuments to the 10th century.

Panchakuta basadi

This is one of the most beautiful monuments built in dravidian, vesara and nagara styles by the Western Ganga Dynasty. It is built on the same lines as the Chavundaraya basadi in Shrvanabelagola. The temple which is oriented to the north towards the Brahmadeva pillar has five shrines (hence the name Panchakuta). Three shrines are connected to a mantapa by a vestibule and consist of the main shrine of tirthankara Adinatha flanked by Neminatha shrine to the east and Shanthinatha shrine containing a 3 m tall idol of the tirthankara to the west. The other two shrines which are disconnected and lie to the north of the trikuta cluster (three shrines) are also dedicated to tirthankaras. These are two different monuments.The unique feature of the statue of Mahaveera (or Gomateshwara) found here is that striking a coin at different points of the statue produces different sounds. The intricate door designs, carvings of flowers and animals, sculptures of Yakshi and the well planned mantapa (hall) are impressive. The Brahmasthamba (main pillar) holds the statue of a Brahma Yaksha. It is only recently that efforts have been made to protect and renovate this monument.

How to reach

Kambadahalli is 135 km from Bangalore. It can be reached by travelling from Bangalore on the NH 48 leading to Hassan. At Bellur cross (105 km from Bangalore), turn left towards Nagamangala which is 17 km away. After reaching Nagamangala, go west from here for 14 km towards Shravanabelagola, turn right and travel 1 km to reach Kambadahalli.

Pattadakal

Pattadakal
Group of monuments At Pattadakal
Pattadakal
Location of Pattadakal
in Karnataka and India
Coordinates 16°01′09″N 75°52′55″E / 16.019167°N 75.881944°E / 16.019167; 75.881944
Country India
State Karnataka
District(s) Bagalkot
Nearest city Badami
Time zone IST (UTC+5:30)


Pattadakal (Kannada - ಪಟ್ಟದ್ಕಲ್ಲು) is a town in the Indian state of Karnataka The town lies on the banks of the Malaprabha River in Bagalkot district of North Karnataka region. It is 22 km from Badami and about 10 km from Aihole. The group of 8th century CE monuments in Pattadakal are the culmination of the earliest experiments in the vesara style of Hindu temple architecture. They were designated a World Heritage Site in 1987. The town displays both Dravidian (Southern) and the Nagara (Northern, Indo-Aryan) styles of temple architecture.



Kashivishvanatha temple at Pattadakal, Karnataka

UNESCO (United Nations Educational, Scientific and Cultural Organisation) in 1987 included Pattadakal in its list of World Heritage sites.

Group of Monuments at Pattadakal*
UNESCO World Heritage Site

Virupaksha Temple, Dravidian style
State Party India
Type Cultural
Criteria iii, iv
Reference 239
Region** Asia-Pacific
Inscription history
Inscription 1987 (11th Session)
* Name as inscribed on World Heritage List.
** Region as classified by UNESCO.

History

Old Kannada inscription on victory pillar, Virupaksha Temple, Pattadakal, 733–745 CE

Pattadakal, the capital of the Chalukya dynasty of Southern India, who built the temples in the seventh and eighth centuries. There are ten temples including a Jain sanctuary surrounded by numerous small shrines and plinths. Four temples were built in Dravidian style, four in Nagara style of Northern India and the Papanatha temple in mixed style.

Chalukya style of architecture

Aihole is considered a School of Architecture, Badami a Degree College, and The University of architecture is Pattadakal.

The Chalukya style originated in Aihole (450 CE), Architects experimented with different styles, blended the Nagara and Dravidian styles, and evolved their own distinctive style. At Pattadakal, the Chalukya kings were crowned, in the middle of the 7th century, temple building activity shifted from Badami to Pattadakal. There are 10 temples here, 4 are in Nagara style and 6 are in Chalukya style.

Kannada Inscription

At Virupaksha Temple, there is 8th (733–745 CE) century Old Kannada inscription on victory pillar at Pattadakal.

Tourism

Group of monuments in Pattadakal

The group of monuments in Pattadakal was designated a World Heritage Site in 1987.

  • Virupaksha Temple
Virupaksha templeat Pattadakal

The best known is the Virupaksha temple, built by Queen Lokamahadevi (Trilokyamahadevi)in 745 to commemorate her husband's victory (Vikramaditya II) over the Pallavas of Kanchi. The temple closely resembles the Kailashnatha temple in Kanchi which served as a model for this temple. The Virupakhsa temple in turn served as an inspiration for the Kailashnatha (Kailash Temple) temple built by the Rashtrakuta (During 757 -783 A.D. by Krishna I) dynasty in Ellora. The Virupaksha temple is rich in sculptures like those of lingodbhava, Nataraja, Ravananugraha and Ugranarasimha. Virupaksha is the earliest dated temple with the sukanasika, being closely followed by the Mallikarjuna temple.

  • Sangameshvara Temple
Sangameshvara temple 725 CE Pattadakal

Sangameshwara Temple (was called Vijayewara) is oldest temple in Pattadakal, built by Chalukya King Vijayaditya Satyashraya ( 696-733 AD), it has no sukanasika. The temple is in Dravidian style and it consists of a Sanctum, Inner passage and a Hall. On the outer wall there is Ugranarasimha, Nataraja sculptures. Both the Sangamesvara temple and the Virupaksha temple are similar to each other in being square on plan from the base to sikhara. The main vimana is of three storeys. The lowermost storey is surrounded by two walls. The second storey being an upward projection of the inner wall. While the outer wall encloses the covered circumambulatory round the sanctum.

  • Mallikarjuna Temple

Mallikarjuna Temple is a smaller version of the Virupaksha temple and was built by Vikramadiyta's second queen Trilokyamahadevi in 745. This temple is also was constructed by Rani Trilokyamahadevi to celebrate the victory (by Vikramaditya II) over the Pallavas. The Mallikarjuna temple was built immediately after and close to the Virupaksha temple (It has a similar plan), with a 4 storeyed vimana with a circular griva and sikhara. Mallikarjuna temple in Dravidian style.

Mallikarjuna and Kasivisvanatha temples at Pattadakal, built 740 CE
  • Kashivisvanatha Temple

Kasivisvesvara temple was the last to be built in early Chalukya style. This temple was built by the Rashtrakutas in the 8th century. Kashi Vishwanatha temple in Nagara style

  • Kadasiddhesvara and Jambulingeswara' temples

Kadasiddhesvara and Jambulingeswara temples both attributed to 7th century A.D. Kadasiddeshvara temple which has a sculpture of Shiva holding a Trident or Trishul in his hands and its twin temple, the Jambulinga Temple are all built in Nagara style and resemble the Hucchimalli' Guddi at Aihole.

Jain Narayana temple at Pattadakal
  • Galganatha temple

Galaganatha temple was built a century later in the architecture style of Rekha Nagara Prasada. Temple contains a sculpture of Lord Shiva killing the demon Andhakasura.

  • Jain Temple

Jain Temple located on the Pattadakal-Badami Road, is built in the Dravidian style by the Rashtrakutas of Manyakheta. It has some very beautiful sculptures & probably dates from the 9th century and was built by either King Amoghavarsha I or his son Krishna II.

Papanatha temple at Pattadakal
  • Papanatha temple is built in the vesara style dated to 680. The temple was started in nagara style but later changed to a more balanced Dravidian style. Sculptures here speak of scenes from Ramayana and Mahabharatha. This temple has many similarities with the Navabrahma temples in Alampur, Andhra Pradesh, which were also built by Badami Chalukyas.
  • Museum of the Plains and Sculpture gallery is maintained by the Archeological Survey of India on the Bhutanatha temple road.

Other important monuments here are the monolithic stone pillar bearing inscriptions, Naganatha temple, Chandrashekara temple and inscriptions in the Mahakuteshwara temple.

Indian Heritage